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What I Wanted to Tell You After I Died on the Plane

In the shower, wrap your lips around a cold
            mango-flavored popsicle until it goes fractal,
                        a slush sliding sideways in the warm kaleidoscope

of your mouth. Do this while your body surges
            under the hot, mind-scrambling torrent—
                        the showerhead’s nozzled storm of sparks,

its bevies of neon bugs that fizz and transform
            their subsonic buzz of volts, march in waves
                        from quiescent lips back through your scalp

cells, thighs, velvety big bang. The universe
            expands inside your vessel of skin. Toes curl
                        into the molten star-stuff you’ve forgotten.

But do it in the dark, because your nerves
            deserve this senseless swerve. Yes, perform
                        this thermal-inversion death-wish pretense

in childish innocence. Free those crystal swifts
            trapped in your chimney, those lacy comets
                        circling your house each night who wonder

if you’ll ever glide home and feather your other
            nest. Show them. Put on your thunder goggles.
                        Even if they paint the missiles already in the air.

Bobby Parrott’s poems appear in Tilted House, RHINO, Rumble Fish Quarterly, Atticus Review, The Hopper, Rabid Oak, Exacting Clam, Neologism, and elsewhere. Wearing a forest-spun jacket of toy dirigibles, he dreams himself out of formlessness in the chartreuse meditation capsule known as Fort Collins, Colorado. 

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