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Omen

Expectation is         what most delivers us
from happiness,        knowing everything
could be taken            away. Why do we linger
outside the palm         reader shop, consider
the one marble eye       of the future? Why do
we look for the devil      in coffee grounds?
Some muddled shape      as preamble to
our own drowning.            How difficult it is
to be a bad omen, to say     it won’t be okay:
arriving only as envoy         for bad tidings.
But it is also hard to be        a good omen—
to stand on the other side     of a rising river
with the shape of the word     boat in your mouth.
Language is the blade             by which we puncture
the future, its terse hide.      Language is the blade
by which we interrogate       the liver, diagram
its prophecy. Or maybe        it is more like
an oar, bending, bending      to the body of water.
There is no way to get         what we want,
but there used to be.            Long before we carved
letters out of stone              and time, our throats
were longing for the          sake of longing,
and the rain dropped       at our feet without
asking—for we had           no speech—
and we had no future         to be afraid of.

Brendan Bense is a poet and UC Irvine MFA candidate whose work can be found in Columbia Journal, The Crab Orchard Review, Rust + Moth, and elsewhere. Before joining the cohort at UCI, he worked as a writer and editor in New York and Philadelphia.

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